You Are Not Nostradamus

If you are dancing to an unfamiliar song, or to a live drum solo improvisation, don’t try to predict what’s coming up. Just stay tuned to hear it and process through your body as fast as possible. 💁‍♀️In fact, it’s even ok to be a tiny “delayed” after the music. 👉I remember when I was participating in one of Arabesque Company’s production in Canada, director Yasmina Ramzy gave me feedback that I was too much “perfect” with my timing of movements. She mentioned that even though all pieces were choreographed, the idea is to create an illusion of improvisation, so how could a dancer move her body before the music queues her to do so? And if this applies to choreography, what to tell about an actual improvisation?! 🙈Hear it first, then reflect.⁣⁣

Also, save this note for your future toolkit. 🔥There are two moves that miraculously work with almost any music: turns and shimmy. 😁If at any moment of your improvisation you feel completely lost, or panicking, use either of these moves, whichever feel more right to a particular moment in the music, as your emergency tool in order to refocus, get back in a moment, and keep going with your improvisation once you are ready. In 90% of cases it will work. 💃💃💃⁣⁣

Do you have your own special tricks on how to make improvisation run nice and smooth? Share! 🔥

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Song: Bam Bam

Location: Yasmina’s B&B for belly dancers in Cairo/Egypt


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About Iana

Iana Komarnytska is a professional dancer, teacher, choreographer, and passionate content creator helping dancers navigate their dance lives.

She is a graduate from the professional dance program at York University (Canada), host of the Belly Dance Life podcast, creator of the Iana Dance Club, author of numerous articles, and winner of Star Bellydancer Canada 2014 among other international competitions. 

Along with belly dance, Iana performs and teaches Persian Classical and Turkish Romani dancing. She is the first choreographer to start using Triple Isis wings, and since 2012 this is one of her style signatures.